An introduction to basic aspects of 2 and 3 dimensional visual structure. Colour, drawing, spatial concepts, various materials and diverse approaches to visual order will be investigated through assigned problems, lectures and critiques.

A continuation of the study of 2 and 3-dimensional structure begun in Visual Studies I.

An introduction to the basic concepts, techniques and media of drawing, through disciplined observational and imaginative study.

Introduces various technical and aesthetic issues of representational, abstract, and non-objective painting. Diverse approaches will be investigated through specific studio assignments in oil and water-based media on various painting supports.

Organized studio projects exploring the aesthetics and the dynamic potential of form. Projects will involve the study of representational, abstract, and non-objective form through basic additive and reductive methods. Assignments will include work in clay, plaster, and basic casting materials and methods.

An introduction to the traditional printmaking media: intaglio, lithography and woodcut.

A lecture and demonstration workshop course covering an analysis of major historical painting media of fresco, tempera, oil glaze, and encaustic.

An introduction to the creative application of photography in art; and, the basic principles of dark-room and camera skills.

An introduction to interdisciplinary or alternative art practices such as bookworks, performance art, installation and video.

An extension of 13-209 which attempts to foster understanding of the basic skills and technical issues necessary to the making of drawings while introducing the philosophical and critical issues related to the discipline.

This course will address issues of anatomy, proportion, expressive gesture, and formal structure based on drawing clothed and nude models from life.

An extension of the work begun in 13-220. The various technical and aesthetic issues of representational painting will be further investigated as will the diverse approaches to pictorial organization derived from observation. However, the issues of abstraction and other forms of non- representational approaches will be introduced and developed in a deeper and fuller attempt to explore the possibilities available to the painter in the late 20th century.

Studio projects examining the technical and expressive possibilities inherent in the media of watercolour and gouache.

An extension and expansion of the additive approach introduced in 13-230 including the aesthetic concerns and appreciation of materials. Projects will include work on a greater scale, complexity and personal involvement.

An introduction to oxy-acetylene welding techniques followed by at least one project which explores specific principles of three- dimensional design.

Compositional study relating to the intaglio methods of printmaking.

Compositional study relating to silk-screen printing. (Offered in even-numbered years.)

Compositional study relating to relief printing. (Offered in odd-numbered years.)

Compositional study relating to lithography.

A further exploration of expressive, formal and technical aspects of photography. Students without the stated prerequisite but with equivalent experience should consult the instructor.

Investigations into the theory and practice of performance and video art with emphasis on interdisciplinary activity, narrative structures, and basic technical processes.

Intermediate workshop in a selected studio practice. Projects will be determined by the availability of faculty expertise.

Continuation of the various skills and technical issues necessary to the making of drawings. Observational drawing from the model, still life, natural forms, and interiors will be studied with a view to understanding the language and philosophical implications inherent within drawings of different styles.

An advanced drawing course which explores a wider range of graphic experience including abstract, imaginary and other non-representational approaches to graphic discipline in our own time.

Each student establishes, in consultation with the faculty member chosen, the content of this special study within the area of expertise of that instructor.

A further extension of the work begun in13-220 and 13-320. While the various technical and aesthetic issues will continue to be investigated through the discipline of observational painting there will be more emphasis on the critical issues relevant to contemporary painting and allowance for personal expression through both abstract and representational modes.

Advanced investigations into the role of observational study and strong emphasis on critical issues of contemporary painting whether representational, abstract, mixed-media, or other.

Contemporary issues in sculpture will be addressed through at least 2 studio projects including 1 site-response installation, and an independent work in close consultation with the instructor.

In close consultation with the instructor, the student will produce a body of independent sculpture with attention to clarity of personal statement, originality, and professionalism.

Individual study projects directed towards experimentation in colour printing and combined print methods.

Work on a portfolio of prints. See course 13-246.

A continuing investigation of the formal, technical and theoretical issues of contemporary photography.

An advanced investigation into contemporary issues, with opportunities for interdisciplinary approaches to photographic practice.

Advanced investigations into alternative art practice.

Further investigations into alternative art practice.

Advanced workshop in a selected studio practice. Projects will be determined by the availability of faculty expertise.

Under the guidance of a faculty member over 2 semesters, the honours student will research and complete a major independent project in studio practice for final approval by a department committee. Recommended for all honours students.

Continuation of 13-485.