519-824-4120 x.56112 sdobson@uoguelph.cawww.susandobson.com

EDUCATION

M.F.A., Guelph University, 1997.
Bachelor of Applied Arts, Ryerson University, 1988.
International Baccalaureate, Lester Pearson College of the Pacific, 1984.

SOLO AND SITE SPECIFIC EXHIBITIONS

2012 Transmission, Cambridge Galleries, Cambridge, Ontario, Canada.
2011 By Design, Robert McLaughlin Gallery, Oshawa, Ontario, Canada.
2010 Dislocation, The Department, Toronto, Ontario, Canada.
2010 Endlessly Traversed Landscapes, a site specific billboard installation in conjunction with the
Vancouver 2010 Cultural Olympiad. Organized by VANOC and curated by Natalie Doonan.
2009 Retail, The Department, Toronto, Ontario, Canada. A CONTACT photography festival feature exhibition.
2008 Temporary Architectures, Saint Mary’s University Art Gallery, Halifax, Nova Scotia, Canada. In conjunction with the photography festival Photopolis, and with Nocturne: Art at Night.
2008 Rememory, The Macdonald Stewart Art Centre, Guelph, Ontario, Canada.
2006 Open House, Elora Centre for the Arts, Elora, Ontario, Canada.
2005 Open House, National Center for the Arts (Cenart,) Mexico City, Mexico.
2005 Open House, Fotoseptiembre 2005, Museo Universitario del Chopo, Mexico City, Mexico.
2005 Open House, Blue Sky Gallery, Portland, Oregon, USA.
2005 Susan Dobson: Interiors, The Toronto Free Gallery, Toronto, Ontario, Canada.
Contact Photography Festival feature exhibition.
2004/05 Open House, Art Gallery of Calgary, Alberta, Canada.
2004 Open House, SRO Photo Gallery, Texas Tech University, Lubbock, Texas, USA.
2004 Open House, Tatar Gallery, Toronto, Ontario, Canada.
2004 No Fixed Address, Gallery 44 Project Room, Toronto, Ontario, Canada.
2002/03 Sprawl, Centennial Gallery, Oakville, Ontario, Canada.
2001 Natural Law, Tatar Alexander Gallery, Toronto, Ontario, Canada.
2000 Home Invasion, Justina Barnicke Gallery, Toronto, Ontario, Canada.
2000 Home Invasion, Artspace, Peterborough, Ontario, Canada.
2000 Home Invasion, The Photographers Gallery, Saskatoon, Saskatchewan, Canada.
2000 Vanishing Point, The Floating Gallery Centre for Photography, Winnipeg, Manitoba, Canada.
1999 Home Invasion, Struts Gallery, Sackville, New Brunswick, Canada.
1999 Lots 16-23, The Redhead Gallery Showcase, Toronto, Ontario, Canada.
1999 Home Invasion, Propeller Centre for the Visual Arts, Toronto, Ontario, Canada.
1997 Vanishing Point, New York State University, Buffalo, New York, USA.
1997 Vanishing Point, Zavitz Hall Gallery, Guelph University, Guelph, Ontario, Canada.

TWO-PERSON EXHIBITIONS AND GROUP EXHIBITIONS

2011 Spaces of the City, The National Gallery of Canada, Ottawa, Ontario, Canada.
2011 American Temples, curated by Burkhard Arnold, In Focus Gallery, Cologne, Germany.
2011 Kitchener/Waterloo Art Gallery Biennial, curated by Robert Enright, Kitchener, Ontario, Canada.

2011               Secrets and Lies: Susan Dobson and Arthur Renwick, Durham Art Gallery, Ontario, Canada.
2011              Meghan Fish Contemporary group exhibition, Halifax, Nova Scotia, Canada.
2010             Natural. Disaster. Curated by Jessica Wyman, The McIntosh Gallery, The University of Western
                     Ontario, London, Ontario, Canada.
2010            Building a Legacy, Curating a Collection, curated by Judith Nasby, The Macdonald Stewart Art
                    Centre, Guelph, Ontario, Canada.
2009-2010   BEYOND PLACE: Recent Photography Acquisitions, The Portland Art Museum, Portland, Oregon, USA.

2010
2009/
2010

Screen 2010, part of CODE and the Vancouver 2010 Cultural Olympiad. Curated by Milena

Placentile. http://www.vancouver2010.com/code
2009 KWAG Biennial, curated by Nancy Campbell, Kitchener, Ontario, Canada.
2008 Transactions, Chongqing Art Museum, Sichuan Fine Art Institute, Chongqing, China. Exhibition
Curator: Feng Bin.
2008 New on the Wall, Portland Art Museum, Portland, Oregon, USA.
2008 Is there a there there? Curated by Marnie Fleming, Oakville Galleries, Oakville, Ontario, Canada.
2008,
2009

Beyond the Frame, The Macdonald Stewart Art Centre, Guelph, Ontario. Canada.

2007 Re-envisioning Habitat, curated by Derek J.J. Knight, Oakville Galleries at Centennial Square, Oakville, Ontario, Canada.
2007 Views, camerafrontera festival, North Bay Area Museum, North Bay, Ontario, Canada.
2006 Addressing Oakville, curated by Shannon Anderson, Oakville Galleries at Centennial Square, Oakville, Ontario, Canada.
2005 Interior Insights, Royal College of Art, London, England.
2005 Transitive: Toronto Artists in St. Petersburg, preview at the Kabat Wrobel Gallery, Toronto, ON, Canada.

2005 Sampler: The 2nd KW/AG Biennial, curated by Andrew Hunter, the Kitchener-Waterloo Art

Gallery, Ontario, Canada.
2004 Project Toronto, Toronto Free Gallery, Toronto, Ontario, Canada.
2004 Affectations, Hamilton Artists Inc., Hamilton, Ontario, Canada.
2004 44 Comes To Clarington, The Visual Arts Centre of Clarington, Bowmanville, Ontario, Canada.
2002 Badlands, Confederation Centre for the Arts, Charlottetown, Prince Edward Island, Canada.
2002 Guelph 2002, MacDonald Stewart Art Centre, Guelph, Ontario, Canada.
2001 Suburbia, Art Gallery of Peel, Brampton, Ontario, Canada.
2001 Range of Vision, Tatar Alexander Gallery, Toronto, Ontario, Canada.
2001 Suburbia: Susan Dobson and Keith Moulding, Dunlop Art Gallery, Regina, Saskatchewan, Canada.
2000 e/rector/scape, Harcourt House Gallery, Edmonton, Alberta, Canada.
2000 2000 words, curated by Gary Michael Dault, TPW, Toronto, Ontario, Canada.
1999 Bitume/Bitumen 99, an international photography event in Brussels. Presented by
VIEW_FINDER.
1999 Le Mois de la Photo - La Couleur du Confort, curated by Eléne Tremblay, Montreal, Quebec, Canada.
The exhibition toured galleries in the Montreal region in 1999/2000.
1998 Tall Orders: On The Spiritual In Art, curated by Gary Michael Dault, The Propeller Center for the
Visual Arts, Toronto, Ontario, Canada.
1998 Greater Reston Arts Center Annual Juried Fine Arts Exhibition, Reston, Virginia, USA.
Juror: J.W. Mahoney, Washington’s Corresponding Editor for Art in America.

1998 The 6th Annual Junction Arts Festival, Toronto, Ontario, Canada.

1997 Crossing Borders, Castellani Art Museum, Niagara, New York, USA.
1991 Who We Are, Art Gallery of Ontario, Toronto, Ontario, Canada.

FESTIVAL SCREENINGS

2009 Rememory, the Contemporary Video Art Screening Series, Gallery Lambton, Sarnia, Ontario.
2007 “Flash Flood: International Video Art Festival,” Tucson, Arizona.

GRANTS AND AWARDS

SSHRC Research/Creation Grant, for “The Pictured Past and the Future Perfect: Shifting Tenses in Contemporary Photography,” 2011.

Grant for Individual Visual Artists, Ontario Arts Council, 2010, 2008, 2003, 2001, 2000, 1999 and 1998. Ontario Arts Council National Residency Grant, for a creative residency at the Banff Centre, 2010. Chalmers Professional Development Grant, 2010.

SSHRC General Research Grant, 2009.

Exhibition Assistance Grant, Ontario Arts Council, 2011, 2008, 2006, 2004, 2002, 2001, 2000, 1999 and 1998.

Creation/Production Grant, The Canada Council for the Arts, 2007, 2003, 2001, 1999.

Award of Distinction, The International Colour Awards, 2006. SSHRC University of Guelph Travel Grant, 2006, 2005. Foreign Affairs Travel Grant, 2005.

Travel Grant, The Canada Council for the Arts, 2010, 2005, 1999.

Artist in the Community Grant, Ontario Arts Council, 2002.

Gold National Magazine Award, Category: Urban and Natural Landscapes, 2001.

The Advertising & Design Club of Canada Silver Award, Category: Photojournalism, 2001.

K.M. Hunter Emerging Artist Award for Visual Arts, Ontario Arts Council, 1998.

Best of Show, Crossing Borders (Juror: Cheryl Brutvan, Senior Curator, The Albright Knox Art Gallery),

Castellani Art Museum, 1997.

The Margaret Craig Memorial Scholarship, The University of Guelph, 1997, 1996.

The Delpha Award, The University of Guelph, 1997.

Board of Graduate Studies Research Scholarship, The University of Guelph, 1996.

Gold National Magazine Award, Category: Photojournalism, 1991.

BOARDS AND COMMITTEE WORK

Board of Directors, The Elora Centre for the Arts, 2006 - 2008. Board of Directors, Visual Arts Ontario, 2002 - 2004.
Oakville Galleries Acquisition Committee, 1997 - 2001.

LECTURES

2007 “Digital mutations and photographic ways of seeing in the portraits of Nancy Burson, Aziz+Cucher, and Loretta Lux,” presented at the University Art Association of Canada Conference at the University of Waterloo.
2006 "Constructed Fictions: Artifice and Illusion in Photographs of the Suburbs," paper presented at the conference Espaces Interieurs: Maison et Art. Barcelona, Spain.
2005 "The City and Its Periphery: Searching for Identity in Suburban Sprawl," presented at the conference Imagen y la ciudad. Mexico City, Mexico.

2003 Art Means Business, A Management Training Course for Artists, Nipissing University, North Bay, Ontario, Canada.
2002 Art Means Business, A Management Training Course for Artists, University of Waterloo, Waterloo, Ontario, Canada.
2002 The Fine Art of Being a Professional, A Guide to Career Paths & Ongoing Study, York
University, Toronto, Ontario, Canada.

ARTIST TALKS

2010 The Department, Toronto, Ontario, Canada.
2010 McIntosh Gallery, London, Ontario, Canada.
2008 St. Mary’s University Art Centre, Halifax, Nova Scotia, Canada.
2008 The Macdonald Stewart Art Centre, Guelph, Ontario, Canada.
2008 Celebrate Our Artists, Guelph, Ontario, Canada.
2008 CFMU radio, The Artist’s Life Style, interview with Laura Hollick, October 7, 2008.
2006 Kitchener City Hall, Kitchener, Ontario, Canada.
2005 Blue Sky Gallery, Portland, Oregon, USA.
2005 Ontario College of Art and Design, Toronto, Ontario, Canada.
2005 The Art Gallery of Calgary, Calgary, Alberta, Canada.
2004 The Clarington Art Centre, Bowmanville, Ontario, Canada.
2004 Hamilton Artists Inc., Hamilton, Ontario, Canada.
2003 Centennial Gallery, Oakville, Ontario, Canada.
1997, 1998 Ryerson University, Toronto, Ontario, Canada.
2001 Dunlop Art Gallery, Regina, Saskatchewan, Canada.
2000 Artspace, Peterborough, Ontario, Canada.
2000 University of Saskatchewan, Department of Art and Art History, Saskatoon, Saskatchewan, Canada.
1999 Artist talk and assessment of student work, University of Toronto, Faculty of Architecture, Toronto, Ontario, Canada.
1998 The Canadian Federation of University Women, Guelph, Ontario, Canada.

REPRODUCTIONS IN BOOKS

Blue Sky 05/06, with forward by Christopher Rauschenberg, Oregon Center for the Photographic Arts,

2006.

Carte Blanche, a compendium of Canadian Photography, Magenta Ltd., 2006.

Massive Change, by Bruce Mau, Phaidon Press Ltd., 2004, pg.186.

Literature and the Writing Process, photograph used on the cover, McMahan, Day, and Funk, 2004.

The Presence of Excellence, twenty-five years of selections from the National Magazine Awards, profile of work completed for Toronto Life in 1991, page 109, published by the National Magazine Awards Foundation, 2003.

FILM

Contributor to the documentary film Radiant City. Produced by Gary Burns and Jim Brown.

ARTICLES/PHOTO ESSAYS

“KWAG Biennial: Monochrome Mavericks,” by David Balzer, Canadian Art Online, June 9, 2011, www.canadianart.ca/online/see-it/2011/06/09/kwag_biennial/

“Closing their eyes to reach into the past,” by Natalie Osborne, The Guelph Mercury, July 12, 2010, pg. A3.

“On the Canvas,” by Kathy Rumleski, The London Free Press, Mar 3, 2010, pg. C8. “Olympian effort on display in B.C.,” The Guelph Tribune, Feb 4, 2010, pg 18.
“Mind open, eyes closed,” University of Guelph Research Magazine, Volume XXV Number 1, Winter 2010, pg.15
“Some Kind of Wonderful,” by Robert Reid, The Record, July 23, 2009, Section D. “Constructive Criticism,” by Isa Tousignant, enRoute magazine, May 2009, pg. 46-47. “I am a Camera,” article by Lori Bona Hunt, At Guelph, February 11, 2009, pg.7.
“Rememory: Artist brings memories into the present,” cover story on the rememory exhibition by Lori Bona
Hunt, The Portico magazine, Winter 2009, pg. 8-13.
“Susan Dobson: Temporary Architectures,” exhibition publication by St. Mary’s University Art Gallery. Essay by Robin Metcalfe, 2008.
“Rememory,” profile of rememory exhibition, Ascent magazine, issue 40, pg.28-36.
“You finished with your eyes?” exhibition publication by Macdonald Stewart Art Centre. Essay by Dawn
Owen, 2008.
“Photopolis and Nocturne: Where Darkrooms Meet White Nights,” Canadian Art Online Edition, Oct 2008. “Is there a there there?” exhibition publication by Oakville Galleries. Essay by Marnie Fleming, 2008. “Photographic Memory,” article by Duncan Day-Myron, The Ontarion, Vol.157, Issue 10, 2008.
“Re-Envisioning Habitat,” exhibition essay by Derek J.J. Knight for Oakville Galleries, Jan, 2007. “Individuality is hanging on the walls,” article by Sarah McGoldrick, News Express, May, 2006. “Spatial Portraits,” article by Laura Hollick, Canadian Interiors, Sep/Oct 2005, pg. 96.
“The Lure of Verisimilitude,” article by Dot Tuer, Contact Magazine, May 2005, pg.30-33. “Projected Changes,” article by Geoff Girvitz, Saturday Night, September 2004, pg.16.
“It’s What’s Inside That Counts,” article by Samantha Grice, The National Post, January 8, 2004, pg. AL1. “Susan Dobson: Home Invasion,” on/site review, Issue 10, 2003.
“No Fixed Address,” photo essay by Susan Dobson, CBC Radio 3 Online Magazine, Volume 2, Issue 8, Oct
24, 2003, pg. 2-18.
“Home Truths”, photo essay by Susan Dobson, CBC Radio 3 Online Magazine, Volume I, Issue 16, March
14-20, 2003, pg. 2-24.
“35 Morningview Drive,” article by Bobbi Thandi, The Green Banana, summer, 2003, pg. 36.
“A Real Estate Bubble?” photograph reproduced from the series ‘Home Invasion.’ Maclean’s, Sep 30, 2002, pg.28.
“Postcards from the edge,” photo essay by Susan Dobson, Toronto Life, May 2001, pg. 104-111.

REVIEWS

“Susan Dobson: Dislocation,” by Gary Michael Dault, Ciel Variable, Issue 87, Jan – May 2011, pg 71-72. “Susan Dobson at the Department,” by Matthew Purvis, blog TO, http://www.blogto.com/arts/2010/09/art_agenda_group_show_at_narwhal_susan_dobson_at_the_departme

nt_and_jonathan_demmes_collection_of_haitian_art_at_the_gladstone/

“Susan Dobson at the DepARTment,” Akimblog posted by Terence Dick, www.akimbo.ca, May 28, 2009. “CONTACT Report: Typologies of Nowhere,” by Derek Flack, blog TO,
http://www.blogto.com/contact_toronto/2009/05/contact_report_typologies_of_nowhere/, May 3, 2009.
“Susan Dobson: Rememory,” review by Emma Renda, ECHO, Sep 25 – Oct 1, 2008, pg. 14. Akimbo blog: Nocturne: Art at Night. Posted by Sue Carter Flinn, November 18th, 2008. http://www.akimbo.biz/akimblog/?id=241

“Temporary Architectures,” review by Mike Landry, Things of Desire, art blogzine www.thingsofdesire.wordpress.com. Oct 16 – Oct 23.

“New exhibition probes memory, time, experience,” The Guelph Tribune, Friday, Sep 19, 2008, pg.13

“Art exhibit examines clash between culture and nature,” review by Krissie Rutherford, The Oakville Beaver, Friday, Feb 2, 2007, pg 24.
“Artists provide unique perspectives of Oakville,” review by Krissie Rutherford, The Oakville Beaver, Friday, Feb. 3, 2006, pg. 27.
“Llevan su moda al Chopo,” review in EL UNIVERSAL, 21-PF (cm2:1395), Sep, 2005.
“Inauguraron en el Chopo 6 Muestras, en el Marco de Fotoseptiembre,” review in EXCELSIOR, 2-B (113 cm2), Sep, 2005.
“Llueven fotos en el Chopo,” REFORMA, 39-PF (264 cm2), Sep, 2005.
“Super Snooper: Photographer Susan Dobson peeks into private spaces,” review by Wes LaFortune, FFWD Weekly, January 13, 2005
“The Portrait of Our Material Selves,” review by Laura Hollick, The View, Vol. 10 No. 23, Jun 3-9, 2004, pg.16.
“Beauty in routine,” review by Thomas Hirschmann, NOW, Volume 23, No. 31, Apr 1-7, 2004.
“A peeping Tom invades suburbia,” review by Gary Michael Dault, The Globe and Mail, Jan 31, 2004, pg
R16.
“Suburbia reveals its colourful secrets,” article by Peter Goddard, The Toronto Star, Jan 31, 2004, pg H2. “Bad Lands: The Outsiderism of Susan Dobson, Ray Mortenson, and Jaclyn Shoub”, article by Shauna
McCabe, BlackFlash, Vol. 21.1, 2003, pg.4-15.
“Sprawl puts suburbia in focus: Photographic exhibit study with a message”, review by Elaine Hujer, The

Hamilton Spectator, Dec 13, 2002, pg. N6.

“Photographer takes aim at the suburbs in Sprawl,” The Oakville Beaver, Nov 15, 2002, pg. 30 “Photographer documents life in Oakville,” review by Craig MacBride, The Oakville Beaver, 2002, pg. C7-8. “Susan Dobson at Tatar Alexander”, review by Gary Michael Dault, Gallery Going, The Globe and Mail,
September 29, 2001, pg.R11.
“e/rector/scape,” review by Kerry Mogg, FUSE, Volume 23, Number 3, 2001.
“Urban landscape,” review by Charles Mandel, The Edmonton Journal, August 4, 2000, pg. E8.
“Art imitates gentrification,” review by Gilbert A. Bouchard, SEE Magazine, August 3 - 9, 2000, pg.16. “e/rector/scape,” review by Maureen Fenniak, Vue Weekly, August 3 - 9, 2000, pg.29.
“When there is no Limit to Spirit. Tall Orders: On the Spiritual in Art,” review by Rozena Maart, FUSE,
Volume 22, Number 4, 2000, pg.53-55.
“le mois de la photo à montréal,” review by Bill Kouwenhoven, photo metro, Volume 18, Issue 157, 2000, pg. 53-58.
“Constellation of shows at this year’s Mois de la Photo,” review by Henry Lehman, The Montreal Gazette, Sept 4, 1999, pg.20.
“Le Document Photographique: Logique de la Séduction,” review by Christine Desrochers, ETC Montreal,
No. 48, 1999, pg. 45-47.
“Le Mois de la Photo,” review by Marie-France Bisson, Le Devoir, Sept 5, 1999.
“Le Mois de la Photo Arrêt Sur Image,” review by Nicolas Mavrikakis, VOIR, Sept 15, 1999.
“The world turned into a picture,” review by Henry Lehmann, The Montreal Gazette, Sept 18, 1999, pg.16. “Chroniques du banal,” review by Bernard LaMarche, Le Devoir, Sept 26, 1999.
“Disturbingly Suburban”, review by Gobi Kim, Azure, Sept/Oct 1999, pg.24.
“Staking out Troubled Terrain”, review by Gary Michael Dault, Gallery Going, The Globe and Mail, July 10,
1999, pg. R11.

JOURNALISM

Essay titled “Constructed Illusions: Photography of Suburban Interiors,” published in Espais Interiors Casa

I Art. University of Barcelona Press, Barcelona, 2007. Salsa, Teresa-M. and Rosa Maria, ed. “Corporeal Art,” article published in function, Volume 3, 2000, pg.70-71

“The End of R+D in the Art World,” article published in MIX, Volume 22.2, 1996, pg. 29-31.

CATALOGUES AND PUBLICATIONS

Natural. Disaster. Catalogue, published by the McIntosh Gallery, essay by Jessica Wyman, 2010, pg.5,

14, 15.

Vancouver 2010 Cultural Olympiad catalogue, published by VANOC, essay by Natalie Doonan, 2010, pg.8.

Some Kind of Wonderful: The 4th KW/AG Biennial, published by the Kitchener-Waterloo Art Gallery, 2009.

Temporary Architectures, published by St. Mary’s University Art Gallery, 2008.

Rememory, published by the Macdonald Stewart Art Centre, 2008.

Transactions, published online by the Chongqing Art Museum, Sichuan Fine Art Institute, Chongqing, China, 2008.

Flashflood, published online by the International Video Art Festival, 2007.

Camerafrontera 2007, published by White Water Gallery, 2007.

Fotoseptiembre 2005, published by Centro de la Imagen, Mexico City, Mexico, 2006.

Blue Sky, published by Blue Sky Gallery, Portland, Oregon, USA, 2006.

Affectations, published by Hamilton Artists Inc., 2004.

44 at Clarington, published by the Clarington Art Centre, 2004.

Guelph Artists 2002, published by the Macdonald Stewart Art Centre, 2002.

Suburbia: Susan Dobson and Keith Moulding, published by the Dunlop Art Gallery. Essay by Helen

Marzolf, 2002.

Susan Dobson — Sprawl, an exhibition pamphlet published by the Oakville Galleries. Essay by Marnie

Fleming, 2002.

Suburbia, published by the Art Gallery of Peel, 2001.

2000 Words, published by the Toronto Photographers Workshop, 2000.

Le souci du document: le mois de la photo à Montréal, 1999, published by Vox, centre de diffusion de la photographie. Catalogue essay by Élène Tremblay, 1999.

Del Bello Gallery International Miniature Art Exhibition, published by the Del Bello Gallery, 1987.

COLLECTIONS

The Canadian Museum of Contemporary Photography, an affiliate of the National Gallery of Canada
Macdonald Stewart Art Centre
Portland Art Museum BMO Financial Group Accenture
Art Gallery of Windsor
Frommer Lawrence, Haug, New York
Oakville Galleries
State Street Trust Company
Private Collections

OTHER PROFESSIONAL ACTIVITIES

Juror for Insights art competition, Wellington County Museum, 2008.
Oakville Urban Design Award commission for the Town of Oakville’s Urban Planning Department, 2002. Curriculum Researcher, The Ontario College of Art & Design, 1999.
Hart House Camera Club Competition Juror, University of Toronto, 2007, 2003, 1999.

Art Direction, Toronto Theatre Magazine, 1987-1988.

TEACHING

Guelph University

Associate Professor, School of Fine Art and Music, 2004 – present (Tenure 2006; Promotion to Associate
Professor 2009).
Contractually Limited Assistant Professor appointment, School of Fine Art and Music, 2002 - 2004. Photography

Department Head (2002/03; 2006; 2007/08; 2008/09; 2009/2010)
Undergraduate Curriculum Coordinator (2006–2010)

Guelph University

Sessional Instructor, 1996 – 2002

Ryerson University

Sessional Instructor, 2000 - 2002

EDITORIAL AND CORPORATE PHOTOGRAPHY 1988 - 1996

Editorial Clients (selection): Canadian Business, Canadian Living, Chatelaine, CMA Dimensions, Destinations, enRoute, The Eye Weekly, The Financial Post, Images, The Minolta Mirror, Maclean’s, Photo Life, Privilege, Reader's Digest, Report on Business, Toronto Life, and Vista.

Corporate Clients (selection): The Government of New Brunswick, HBJ Holt Publishers, Hyundai, Kornblum International (Pharma Plus Drugstores; The National Bank), Lashbrook Advertising Design, McKim Advertising (The Salvation Army), Tourism Ontario, Valencienne, World Vision Canada, and Zaksis Publishing.