News

Not the zombies you were thinking of…

Associate Professor Susannah Ferreira has just published a new book, The Crown, the Court and the Casa da Índia: Political Centralization in Portugal 1479-1521, with Brill.

from the dust jacket:
In The Crown, the Court and the Casa da Índia, Susannah Humble Ferreira examines the social and political context that gave rise to the Portuguese Overseas Empire during the reigns of João II (1481-95) and Manuel I (1495-1521). In particular the book elucidates the role of the Portuguese royal household in the political consolidation of Portugal in this period. By looking at the relationship of the Manueline Reforms, the expulsion of the Jews and the creation of the Santa Casa da Misericordia to the political threat brought on by the expansion of Ferdinand of Aragon into the Mediterranean, the author re-evaluates the place of the overseas expansion in the policies of the Portuguese crown.

Associate Professor Susannah Ferreira has just published a new book, The Crown, the Court and the Casa da Índia: Political Centralization in Portugal 1479-1521, with Brill.

from the dust jacket:
In The Crown, the Court and the Casa da Índia, Susannah Humble Ferreira examines the social and political context that gave rise to the Portuguese Overseas Empire during the reigns of João II (1481-95) and Manuel I (1495-1521). In particular the book elucidates the role of the Portuguese royal household in the political consolidation of Portugal in this period. By looking at the relationship of the Manueline Reforms, the expulsion of the Jews and the creation of the Santa Casa da Misericordia to the political threat brought on by the expansion of Ferdinand of Aragon into the Mediterranean, the author re-evaluates the place of the overseas expansion in the policies of the Portuguese crown.

Associate Professor Sofie Lachapelle has just published a new book, Conjuring Science: A History of Scientific Entertainment and Stage Magic in Modern France with Palgrave MacMillan.

from the dust jacket:
Conjuring Science explores the history of magic shows and scientific entertainment. It follows the frictions and connections of magic and science as they occurred in the world of popular entertainment in France from the mid-eighteenth to the early twentieth century. It situates conjurers within the broader culture of science and argues that stage magic formed an important popular conduit for science and scientific enthusiasm during this period. From the scientific recreations of the fairs to the grand illusions of the theatre stage and the development of early cinema, conjurers used and were inspired by scientific and technological innovations to create illusions, provoke a sense of wonder, and often even instruct their audience. In their hands, science took on many meanings and served different purposes: it was a set of pleasant facts and recreational demonstrations upon which to draw; it was the knowledge presented in various scientific lectures accompanied by optical projections at magic shows; it was the techniques necessary to create illusions and effects on stage and later on at the cinema; and it was a way to separate conjuring from the deceit of mediums, mystical showmen and quacks in order to gain a better standing within an increasingly scientifically-minded society.

Associate Professor Sofie Lachapelle has just published a new book, Conjuring Science: A History of Scientific Entertainment and Stage Magic in Modern France with Palgrave MacMillan.

from the dust jacket:
Conjuring Science explores the history of magic shows and scientific entertainment. It follows the frictions and connections of magic and science as they occurred in the world of popular entertainment in France from the mid-eighteenth to the early twentieth century. It situates conjurers within the broader culture of science and argues that stage magic formed an important popular conduit for science and scientific enthusiasm during this period. From the scientific recreations of the fairs to the grand illusions of the theatre stage and the development of early cinema, conjurers used and were inspired by scientific and technological innovations to create illusions, provoke a sense of wonder, and often even instruct their audience. In their hands, science took on many meanings and served different purposes: it was a set of pleasant facts and recreational demonstrations upon which to draw; it was the knowledge presented in various scientific lectures accompanied by optical projections at magic shows; it was the techniques necessary to create illusions and effects on stage and later on at the cinema; and it was a way to separate conjuring from the deceit of mediums, mystical showmen and quacks in order to gain a better standing within an increasingly scientifically-minded society.

Guelph welcomes applications for a Fall 2016 entry to our MA and PhD programs.