
Loud, Louder & Loudest: Carnival Rivalries and the Making of Panamanian Murga
When the competing murgas of Calle Abajo and Calle Arriba, with their forty-plus horn players accompanied by a cadre of drummers, slowly exit the side streets of their respective barrios and make their way onto the central drag that encircles Las Tablas’s Parque Bellisario Porras, they do so with the aim of out-blowing and out-drumming their rivals