1. Critical
- "Transcontinental Waters: The Anti-Postcolonial Tide in Angolan Fiction and Film," Postcolonial Oceans: Contradictions and Heterogeneities in the Epistemes of Salt Water (Heidelberg, Germany: Heidelberg University Publishing, forthcoming), eds. Kerstin Kopf, Anna-Katharina Hornidge, Sukla Chatterjee and Joanna Chojnicka.
- "Disaster Innovation in the Mid-Century Spanish-American Novel: Carpentier, Asturias, Donoso," Latin American Literature in Transition, 1930-1980 (Cambridge, UK: Cambridge University Press, 2022), eds. Amanda Holmes and Par Kumaraswami: 65-80.
-
[Stephen Henighan and Candace Johnson] "Conclusion," Human and Environmental Justice in Guatemala (Toronto: University of Toronto Press, 2018), eds. Stephen Henighan and Candace Johnson: 228-249.
-
"Human and Environmental Justice in the Work of Rodrigo Rey Rosa," Human and Environmental Justice in Guatemala (Toronto: University of Toronto Press, 2018), eds. Stephen Henighan and Candace Johnson: 173-213.
-
"An Ambiguous Voice," Luminous Ink (Toronto: Cormorant Books, 2018), eds. Tessa McWatt, Rabindranath Maharaj and Dionne Brand: 75-82.
-
“Mitteleuropa Mothers in Montreal: Cultural Correspondences Between Mavis Gallant and Clark Blaise,” Clark Blaise: Essays on His Works (Toronto: Guernica Editions, 2016), ed. J.R. (Tim) Struthers: 97-131.
-
"Diversity in the Homeland: The Changing Meaning of Transylvania in Mihail Sebastian’s The Accident,” Europe in its own Eyes, Europe in the Eyes of the Other (Waterloo: Wilfrid Laurier UP, 2014), eds. David B. MacDonald and Mary-Michelle DeCoste: 147-156.
-
"Literature Survives Through its Variety, " Producing Canadian Literature. Authors Speak on the Literary Marketplace (Waterloo: Wilfrid Laurier UP, 2013), eds. Kit Dobson and Smaro Kamboureli: 130-149.
-
"How the Giller Prize Swallowed Canadian Literature," Best Canadian Essays 2012 (Barrie, Ont.: Tightrope Books, 2012), eds. Ray Robertson and Christopher Doda: 86-116.
-
“Every Man is an Island: The Fiction of Adolfo Bioy Casares,” Adolfo Bioy Casares: Borges, Fiction and Art (Cardiff: U. of Wales P., 2012), ed. Karl Posso: 89-112.
-
“The Erosion of Angolan Utopianism from Pepetela’s Ngunga’s Adventures to Maria João Ganga’s Hollow City,” 1st International Conference Proceedings. Language, Literature & Linguistics (L32012). (Singapore: Global Science & Technology Forum, 2012), ed. Daniel Newman: 242-248.
-
“From Exile to the Pandilla: The Construction of the Hispanic-Canadian Male Subject in Cobro Revertido and Côte-des-Nègres,” Latin American Identities After 1980 (Waterloo: Wilfrid Laurier UP, 2010), eds. Gordana Yovanovich and Amy Huras: 285-298.
-
"Lo femenino como nostalgia en La Fiesta del Chivo, El paraíso en la otra esquina, y Travesuras de la Niña Mala,” Perú en el espejo de Vargas Llosa (Puebla, México: Universidad de las Américas, 2008), eds. Javier Vargas de Luna y Emilia Deffis: 53-68.
-
“A Reduced Solitude: Eugen Giurgiu’s Ewoclem sau Intortocheatele carari as Romanian-Canadian Literature,” Canadian Cultural Exchange/ Échanges culturels au Canada. Waterloo, Ont.: Wilfrid Laurier UP, 2007, eds. Norman Cheadle and Lucien Pelletier: 201-222.
-
“‘I Blame Printed Books’: Reading Douglas Glover’s Elle Through Don Quixote,” The Art of Desire: The Fiction of Douglas Glover. Ottawa: Oberon Press, 2004, ed. Bruce Stone: 141-157.
-
“History After History’s End: Cultural Reconstruction in Margarita, está linda la mar,” Latin American Narratives and Cultural Identity: Selected Readings. New York/ Berne: Peter Lang Inc., 2004, eds. Irene Maria F. Blayer and Mark Cronlund Anderson: 62-74.
-
“Caribbean Masks: Frantz Fanon and Alejo Carpentier,” Postcolonial Perspectives on the Cultures of Latin America and Lusophone Africa. Liverpool, U.K.: Liverpool UP, 2000, ed. Robin Fiddian: 169-190.
-
“The Pope’s Errant Son: Breton and Alejo Carpentier,” André Breton: The Power of Language. Exeter, U.K.: Elm Bank Press, 2000, ed. Ramona Fotiade: 139-148.
2. Fiction Anthologies
-
"Blue River Hotel," The Best Peace Fiction: A Social Justice Anthology . Albuquerque: University of New Mexico Press, 2021, eds. Robert Olen Butler & Phong Nguyen: 133-161.
-
"A Grave in the Air," The Voyeur's Caravan: Travel Stories. Saskatoon: Thistledown Press, 2015, ed. Allan Forrie: 111-186.
-
“MacAnally’s Z,” Maryland High School Assessments . Princeton, NJ: Educational Testing Service, 2009.
-
“The Breath of the Turtle,” Best Canadian Stories 04. Ottawa: Oberon Press, 2004, ed. Douglas Glover: 102-116.
-
“The Origins of Exile,” The May Anthologies: Tenth Anniversary Edition. Cambridge, U.K.: Varsity/ Cherwell, 2002, eds. Andrew Motion and Nick Cave: 137-152.
-
“The Farm,” A Room at the Heart of Things: The Work That Came to Me. Montréal: Véhicule Press, 1998, ed. Elisabeth Harvor: 78‑83.
-
“Nights in the Yungas,” What Is Already Known: 20th Anniversary Anthology. Saskatoon: Thistledown Press, 1995, ed. Seán Virgo: 254‑257.
-
“The Tongue Below,” The 1995 May Anthology of Oxford and Cambridge Short Stories. Oxford: Varsity/Cherwell, 1995, ed. John Holloway: 1‑16.
-
“The Origins of Exile,” The 1994 May Anthology of Oxford and Cambridge Short Stories. Oxford: Varsity/Cherwell, 1994, ed. Stephen Fry: 93‑118.
-
“The Border,” 32 Degrees: Prose, Poetry and Drama from Concordia University’s Creative Writing Program. Montréal: DC Books, 1993, ed. Raymond Beauchemin: 232‑238.
-
“Moving Houses,” The 1993 May Anthology of Oxford and Cambridge Short Stories. Oxford: Varsity/Cherwell, 1993, ed. Michael Dibdin: 41‑51.
-
“Cochabamba,” Engaged Elsewhere: Short Stories by Canadians Abroad. Kingston, Ont.: Quarry Press, 1989, ed. Kent Thompson: 95‑107.
-
“MacAnally’s Z,” Telling Differences: New English Fiction from Quebec. Montréal: Véhicule Press, 1989, ed. Linda Leith: 64‑70.
-
“Nights in the Yungas,” Souvenirs: New English Fiction from Quebec. Dunvegan, Ont.: Cormorant Books, 1987, ed. P. Scott Lawrence: 80‑85.